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Bezeichnung	Frozen 2013
Dauer	179 kleinst
Freilassung	2013-11-27
Güte	FLV 720p WEBrip
Buchgattung	Animation, Adventure, Family
Sprachfähigkeit	English
castname	Wise L. Yuri, LaPlaca L. Berneen, Tamala P. Maïwenn

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"Frozen," the latest Disney musical extravaganza, preaches the importance of embracing your true nature but seems to be at odds with itself.

The animated, 3-D adventure wants to enliven and subvert the conventions of typical Disney princess movies while simultaneously remaining true to their aesthetic trappings for maximum merchandising potential. It encourages young women to support and stay loyal to each other—a crucial message when mean girls seem so prevalent—as long as some hunky potential suitors and adorable, wise-cracking creatures also are around to complete them.

It all seems so cynical, this attempt to shake things up without shaking them up too much. "Frozen" just happens to be reaching theaters as Thanksgiving and the holiday shopping season are arriving. The marketing possibilities are mind-boggling. And in the tradition of the superior "Beauty and the Beast" and "The Little Mermaid," surely "Frozen: The Musical" will be headed to the Broadway stage soon. The songs – which are lively and amusing if not quite instant hits—are already in place.

Little girls will absolutely love it, though. That much is undeniable. And the film from co-directors Chris Buck ("Surf's Up") and Jennifer Lee is never less than gorgeous to watch. A majestic mountaintop ice castle is particularly exquisite—glittery and detailed and tactile, especially as rendered in 3-D.

But first we must witness the tortured backstory of the film's princesses – not one, but two of them. The script from "Wreck-It Ralph" co-writer Lee, inspired by the Hans Christian Andersen story "The Snow Queen," has lots of cheeky, contemporary touches but is firmly and safely rooted in Scandinavian fairy tale traditions.

When they were young girls, sisters Anna and Elsa were joyous playmates and inseparable friends. But Elsa's special power—her ability to turn anything to ice and snow in a flash from her fingertips—comes back to haunt her when she accidentally zaps her sister. (Not unlike the telekinesis in "Carrie," Elsa inadvertently unleashes her power in moments of heightened emotion.) A magical troll king heals Anna and erases the event from her memory, but as for the sisters' relationship, the damage is done.

Elsa's parents lock her away and close down the castle, which devastates the younger Anna. (Of the many tunes from "Avenue Q" and "The Book of Mormon" songwriter Robert Lopez and his wife, Kristen Anderson-Lopez, the wistful "Do You Want to Build a Snowman?" is by far the most poignant.) But once they reach adolescence and it's Elsa's turn to take over the throne at age 18, the two experience an awkward reunion.

The perky, quirky Anna (now voiced by a likable Kristen Bell) is a little nervous but overjoyed to see her sister. The reserved and reluctant Elsa (Broadway veteran Idina Menzel) remains distant, and with gloved hands hopes not to freeze anything and reveal her true self on coronation day. But a run-in with an amorous, visiting prince (Santino Fontana) who sets his sights on Anna triggers Elsa's ire, and she inadvertently plunges the sunny, idyllic kingdom into perpetual winter.

Flustered and fearful, Elsa dashes away in a fit of self-imposed exile – which significantly weakens "Frozen," since she's the film's most complicated and compelling figure. On her way to the highest mountain she can find, Elsa belts out the power ballad "Let It Go," her version of "I Am Woman." This soaring declaration of independence is the reason you want a performer of Menzel's caliber in this role, and it's the film's musical highlight. (Her flashy physical transformation from prim princess to ice queen does make her resemble a real housewife of some sort, however.)

Afterward, though, the story settles in on Anna's efforts to retrieve her sister and restore order to the kingdom. Along the way she gets help from an underemployed ice salesman named Kristoff (Jonathan Groff) and his trusty reindeer sidekick, Sven. They all meet up with a singing snowman named Olaf (a lovably goofy Josh Gad, star of "The Book of Mormon" on Broadway) who dreams of basking in the warmth of the summer sun. This "Wizard of Oz"-style quartet makes the obstacle-filled trek to the imposing fortress that awaits. (At least "Frozen" has the decency to borrow from excellent source material.)

While the journey may seem overly familiar, the destination has some surprises in store. Some come out of nowhere and don't exactly work. But the biggie—the one that's a real game-changer in terms of the sorts of messages Disney animated classics have sent for decades—is the one that's important not just for the little girls in the audience, but for all viewers. http://newmoviestream.co/watch/2294629/frozen
wish everything about the film met the same clever standard.
I was excited to watch this movie after all the buzz about it but I've been a bit disappointed.

Yes, the animation is great and it keeps all the typical Disney details and is funny, sometimes. In addition, it features two strong female characters that don't need of a hero to save the story but ...

... but still they are the super-beautiful and perfect Disney princesses, as if they couldn't be normal girls from normal status, and the role of Queen Elsa is not that important as it would have expected.

Not a bad movie, but not the best and I think far from the fun I had with Tangled.

Frozen – Eiskalter Abgrund – Wikipedia ~ Frozen – Eiskalter Abgrund Originaltitel Frozen ist ein USamerikanischer Thriller aus dem Jahr 2010 von Adam Green mit Shawn Ashmore Emma Bell und Kevin Zegers in den Hauptrollen

Frozen Lied – Wikipedia ~ Frozen ist ein Lied von Madonna das im Februar 1998 auf dem Album Ray of Light erschien

Frozen Shoulder – Wikipedia ~ Einteilung Ist die Ursache bekannt so spricht man von einer „sekundären“ frozen shoulder ansonsten von einer „primären“ oder „idiopathischen“ Letztere Form kann auch als „adhäsive Kapsulitis“ bezeichnet werden

Gefrorenes Frischplasma – Wikipedia ~ Gefrorenes Frischplasma GFP auch FFP von Frozen Plasma ist ein aus dem Plasma von Spenderblut gewonnenes schockgefrorenes Blutprodukt das die flüssigen und gelösten Bestandteile des Blutes enthält während die korpuskulären Bestandteile Zellen des Blutes Erythrozyten Leukozyten Thrombozyten durch Zentrifugieren weitgehend entfernt wurden

Delain – Wikipedia ~ Delain wurde 2002 von Martijn Westerholt dem ExKeyboarder der MetalBand Within Temptation gegründet nachdem er diese 2001 aufgrund einer Erkrankung am PfeifferDrüsenfieber verließ Deren Gründer Robert Westerholt ist Martijns Bruder Nachdem Martijn Westerholt 2002 zusammen mit der Sängerin Anne Invernizzi den Gitarristen Roy van Enkhuyzen und Frank van der Meijden dem Bassisten

Radha Mitchell – Wikipedia ~ Radha Rani Amber Indigo Anunda Mitchell r 1973 in Melbourne Victoria Australien ist eine australische Schauspielerin Filmproduzentin und Filmregisseurin Leben und Karriere Als Kind hatte Radha Mitchell von 1988 bis 1989 in der australischen Kinderserie Wie Hund und Katze ihre erste Hauptrolle als Pixie viele andere junge australische Schauspieler spielte sie

Shawn Ashmore – Wikipedia ~ Leben Seine Schulausbildung erhielt Ashmore an der Turner Fenton High School in Filmdebüt gab er 1989 in einer Episode der Fernsehserie Katts und steht er in vielen Spielfilmen und Fernsehserien vor der Filmkamera

Mrs Greenbird – Wikipedia ~ Biografie Sängerin Sarah Nücken und Gitarrist Steffen Brückner lernten sich 2006 in Köln im Club Underground kennen Nücken studierte Soziale Arbeit und war als Sängerin in Gospelchören und Bands aktiv Brückner war ebenfalls Bandmusiker und unter anderem auch Lobpreisleiter der Kirche Köln West Danach machten sie zu zweit und zusammen mit Bands Musik unter anderem mit der Indiepop

Jonathan Groff – Wikipedia ~ Leben Kindheit und Jugend Jonathan Groff der Sohn von Jim und Julie Groff wuchs in Ronks einer kleinen Landgemeinde in Lancaster County auf und besuchte bis 2003 die Conestoga Valley High School in Lancaster Nach seinem Schulabschluss zog er nach New York City um sich von dort aus eine Karriere als Schauspieler sich finanziell über Wasser halten zu können arbeitete er

Trauma – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

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The Grand Budapest Hotel 2014 kostenlos filme anschauen -720p-MPG

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Überschrift	The Grand Budapest Hotel 2014
Zeitdauer	196 winzig
Verzicht	2014-02-26
Beschaffenheit	ASF 1080p DVDScr
Gattung	Comedy, Drama
Fachsprache	English, Français
castname	Jagjit J. Kaylah, Mario C. Orsen, Corina X. Sanusi

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Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.

It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).

The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.

There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.

Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.

Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.

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Rechtsanspruch	The Place Beyond the Pines 2013
Zeitdauer	175 kleinst
Freisprechung	2013-03-20
Eigenschaft	MPE 1080p VHSRip
Gattung	Drama, Crime
Fachsprache	English, Español
castname	Makenzi O. Jamie, Raphaël B. Kaushik, Ysée I. Jones

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Überschrift	The Hateful Eight 2015
Dauer	139 Besprechungsprotokoll
Freisetzung	2015-12-25
Güte	AVCHD 720p WEB-DL
Gattung	Crime, Drama, Mystery, Western
Jargon	Español, English
castname	Inam J. Rafael, Nattero I. Jovana, Felicie A. Chetna

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The Hateful Eight is an epic film. Epic the way Ben-Hur was epic. It’s filmed on rare Ultra Panavision 70. The film crew altered Modern cameras to work with UP70. Quentin Tarantino knew there were two types of film viewers. Those who would see his film as he intended and those who would not. Tarantino isn’t an idiot and knows people will pirate his and watch it on devices he can’t control [Note 1]. To combat this Tarantino made a version of the film which requires viewing in a theatre. He did this with the 70mm roadshow production of The Hateful Eight.

The roadshow production of The Hateful Eight is a great experience. I was born in 1981, after roadshow theatrical releases fell out of popularity so I’ve never experience a roadshow theatrical release. Roadshow theatrical releases were (or are) a limited engagement showing of a movie before general release. The Hateful Eight’s roadshow includes a beautifully produced souvenir program — already available on Ebay. The lights go out fifteen minutes prior to the film starting and no previews are shown. Roadshows aren’t their to advertise. Their purpose is to wow you with The Hateful Eight in 70mm.

I was only eleven when Reservoir Dogs was released and thirteen when Pulp Fiction was released. Arguably, a little too young to watch these films. Although I knew what sex was and how it worked, My young mind didn’t know about paraphilia or unusual sexual interests. I don’t think I even had a working idea of how homosexual sex worked. This would have made watching scenes from Pulp Fiction rather difficult for me at that age. [Note 2]
Unlike many, I saw Reservoir Dogs before Pulp Fiction. Although I like the editing style of Pulp Fiction, I think Reservoir Dogs is a better film. What makes Reservoir Dogs great is the lack of financing. Financial constraints didn’t limit Tarantino and Reservoir Dogs is dialogue heavy with very impactful scenes revolving around a single location: The Warehouse.

The high-level idea of The Hateful Eight, Quentin Tarantino’s Eighth film, which implies the title is deliberate, is about a bounty hunter escorting a prisoner (the only female in the film) to “hang by the neck until they are dead” in Red Rock. However, a blizzard prevents the prisoner from reaching the final location and the prisoner along with eight others are stuck in a single room: Minnie’s Haberdashery.

The Hateful Eight is filmmaking at it’s finest. Like Reservoir Dogs it could have been a theatrical production. It didn’t have to be a movie. If there are special effects they aren’t noticeable. There is violence and blood, which you expect, but comparing to other Quentin Tarantino’s films it’s tame. There is no dancing to a radio tune while Michael Madsen conducts a horrific act. But, the strongest story-telling scene will stick with you. A flashback overlaid with a monologue performed by Samuel L. Jackson that demonstrates the artistic ability of Tarantino. The editing between Major Warren’s narrative and what General Smithers envisions can only be told with film. The scene contrasts the alluring story with the distasteful act. A compliment to the editor who doesn’t pull you out of the monologue, but enhances it.
I’ve only seen, read, or heard a few interviews with Tarantino, but I don’t get the impression he does anything on accident. Tarantino puts too much thought into his ideas and works. When Bret Easton Ellis interviewed Tarantino he stated:

> My scripts are meant to be read.
> [The Bride] has stashed all this shit in the ground. So, she is going to dig a hole and pull up a footlocker and it will have passports, money, and weapons. All the things she will need for her revenge. But, the way I have it written in the script is she needs to find a rock and turn it over to find an ‘X’ on the rock. She turns over the rock and finds the ‘X’.
>
> If the ‘X’ hadn’t have been there or if she couldn’t have found rock, she would have taken it as a sign that her revenge never should happen and she would have dropped the whole idea.

These are things you can’t show on film.

You get this same type of feeling when watching The Hateful Eight. It is hard to imagine that Tarantino didn’t have a few one-on-one days with each actor explaining to their character’s fully-developed backstory which isn’t depicted in the film. Only additional viewings will explain each characters motives.

Many of my college friends who enjoyed Kill Bill Volume One didn’t like Kill Bill Volume Two even though Kill Bill Volume Two is the stronger of the two films. The reason? The dialogue. The dialogue is the best part of The Hateful Eight. Although The Hateful Eight is three hours long you don’t feel it. The film engrosses you with the characters, their conversations, and the conflict between them. The acting is superb.

My wife said that this is her favorite Quentin Tarantino film. I don’t know if I disagree and although Reservoir Dogs holds a special place with me, The Hateful Eight is a much more mature film. Tarantino has had 23 years to perfect his craft and it shows. Although I liked Django Unchained, it isn’t as good as The Hateful Eight.

The Hateful Eight may be one of the better films I’ve seen in the past few years.

_Note 1: Mark Z. Danielewski’s House of Leaves is a piece of art as much as a novel. But, there isn’t a digital version. This is deliberate. Danielewski can’t determine a way for readers to digitally consume the book. Contrary to what you expect, this control is more easily achieved with print than film._

_Note 2: Like all Quentin Tarantino’s movies, The Hateful Eight isn’t for children. Quentin Tarantino is great because of his dedication to his art. Tarantino made a purposeful choice to not have a relationship or children because it would affect his art. I wonder if his decision is partially due to discussions around the dinner table about what Daddy does without showing them. I don’t know if Tarantino has actually thought about the ramifications of raising a child in the dark to his art until a certain age. Maybe he hasn’t. But, If I was in his shoes, I would have internal conflict about not wanting to twist my kid’s minds until they were of age to deal with my creations. But, I am probably projecting._
The hateful eight is well directed, good photography and has a great OST, with a good melody from Ennio Morricone (although it is just that, not much more) and, as usual, well selected songs by Tarantino.

The best of the movie is its cast, with the exception of Michael Madsen which I think is terrible but Tarantino seems to love. As usual, good performance by Samuel L. Jackson and superb ones by Kurt Russel and Jennifer Jason Leigh. Tim Roth makes a great role in a character that seems as if it was made for Chistoph Waltz, though. IMHO, the best performance is from Walton Goggins, though. A usual secondary which has the chance in this movie to be more than just that.

All in all, a Tarantino movie with what you would expect from one of his movies.

But ... the problem is precisely that there is everything to be expected, but nothing else. The typical long and witty dialogues. The typical stories and anecdotes distracting the viewer attention from the important happenings ongoing, but just that. Hence, this movie stays half way to be a really good movie and it remains just a enjoyable movie, without much more expectations.
> ...And then there were none.

I'm neither Tarantino nor Nolan's fan, but love watching their movies. As usual these director's films are highly expected by all, that's including me. This one started off quite like a normal western, so I thought it wouldn't be like the director's previous film 'Django Unchained'. In fact, it was considered for a sequel to that, but the director felt this story and the previous character Django failed to blend, hence 'The Hateful Eight' was born with Samuel L. Jackson playing an important role.

Solid eight from me for this QT's eighth film. But I felt the movie was kind of inspired by 'And Then There Were None'. It was not about to find who's the killer or next to be killed. The character introductions were at its best and an excellent twist in the middle. This sets in a cabin with eight strangers struck there after the snowstorm. But after an unexpected event the suspicious started to mount and brings chaos. Then takes us to the flashback to reveal something the story that did not mention in the earlier part which's very essential for coming back to the finale.

The 80% of the movie was just talking, but the remaining stunt sequences were so powerful. All the eight, plus, supporting character were exceptional, but the director's favourite Samuel L. Jackson nailed it as his character is a bit above from the rest. The entire film was shot is a couple of locations, but the major portion takes place in a cabin and it was a limited cast movie. These days, western movies are shrinking, only a very-very few good movies are made every year. In the time of superheroes, a movie like this is really very precious, so definitely recommend it.

8/10
Marmite at Minnie's Haberdashery.

Quentin Tarantino writes and directs and it stars Samuel L. Jackson, Kurt Russell, Jennifer Jason Lee, Walton Goggins, Tim Roth, Micahel Madsen, Demian Bichir and Bruce Dern. Music is scored by Ennio Morricone and cinematography by Robert Richardson.

Wyoming, wintertime, and an assortment of suspect characters are holed up at Minnie's Haberdashery while a blizzard rages outside. Soon enough suspicions and ugly human traits come to the fore...

Tarrantino is on a Western/Southern/Oater/Civil War kick these days, here following on from Django Unchained, this is set just post the Civil War. Proudly homaging genres he loves, he throws all his trademarks at The Hateful Eight for glorious results - that is on proviso you happen to be a fan of his in the first place.

Picture is split into two halves. First half sets up the characters who come to be at Minnie's, the conversations are pungent with Tarrantino's caustic and comedic writing, the characterisations equally so, whilst we have been treated to some absolutely gorgeous Colorado vistas. There's a constant sense of mistrust in the air, while racism, misogyny and political fall outs pulse away in set up scenarios.

Then it's the second half, where after a wee bit of narration that had me thinking my Blu-ray player had somehow started playing The Assassination of Jesse James by the Coward Robert Ford, hell then comes to Minnie's! It quickly becomes evident we have been part of a Tarrantino parlour game, a game of Clue - cum - Ten Little Indians, only in a Wild West setting, and with blood, bones and bile in full effect.

The whole thing is wonderfully stylish in the way that Tarrantino is known for. The cartoonish horror mingles with more biting observations on humanity, the violence shocks to get a reaction from the viewer, for better or worse, and always there is humour, where Hateful Eight proves itself to be one damn funny film.

Morricone scores it as cartoon horror with Western strains, and it's magnificent, it sounds like the evil twin to his score for The Untouchables. The cast are super (though a couple of them are not given much to do), with Leigh standing out, and Messrs Jackson and Russell hold glorious excessive court. Costuming is most appealing, as is the set-design for Minnie's. And director QT? Well he does his thing, chapters and verse and playful filmic cunning. 9/10
The Hateful Eight is Quentin Tarantino's eight film. Inspired by John Carpenter's movie, The Thing. We even have Kurt Russell mentioning going without sleep. However despite all the talking and there is a lot of chatter between some hateful people, it is an Agatha Christie style thriller.

In a snowbound post civil war wild west, Kurt Russell is bounty hunter John Ruth better known as the Hangman. He brings his bounty back alive so they can hang.

Ruth is taking back Daisy Domergue (Jennifer Jason Leigh) a female captive with a big reward on her. He meets Major Warren (Samuel L Jackson) another bounty hunter and they decide to ride together to town and meet the new Sheriff who is due to show up.

A blizzard means they have to stop at an inn. Holed up in the inn is Bruce Dern's confederate General Smithers, a bitter racist trying to find out the fate of his son.

Also there is Tim Roth's Mobray on his way to the same town as the Sheriff to be their new hangman. There are several other people hanging around the inn. Ruth is convinced that someone is not what he claims to be and is nervous.

The film has a lot of talk with suspicious, shifty people rubbing everyone up the wrong way. Tarantino wants the viewer to get complacent and then suddenly bang! He then shows you his hand.

The Hateful Eight is a twisted film with Tarantino's dark humour, mean characters and violence. However it is overlong and a mystery that might be too slow before it gets going.
***Creative Western whodunit is an amusing black comedy, but also profane and repugnant***

RELEASED IN 2015 and directed by Quentin Tarantino, "The Hateful Eight" is a Western about a cruel bounty hunter (Kurt Russell) taking an outlaw woman (Jennifer Jason Leigh) in to Red Rock, Wyoming, to hang. Along with a black bounty hunter (Samuel L. Jackson) and the new Sheriff of Red Rock (Walton Goggins), they hold up at a rural haberdashery during a blizzard with several dubious characters (Tim Roth, Demián Bichir, Michael Madsen, Bruce Dern and Channing Tatum). Dana Gourrier and Zoe Bell appear in small roles.

This was Tarantino’s second Western in a row after 2012’s “Django Unchained,” which ranks with the best Westerns of all time. This one’s not as good, but it certainly has its points of interest, like the great wintery wilderness atmosphere, which is to die for. Moreover, the plot is intriguing. It's basically an Agatha Christie whodunit a la Murder on the Orient Express transferred to the Old West. Roughly 90% of the film takes place in the haberdashery and, less so, a stagecoach. It's basically a theater play masquerading as a movie and I found it a unique setting for a Western.

The movie starts out with spectacular Colorado winter cinematography highlighted by an excellent Ennio Morricone score, his first full-length score in over three decades (!). Compelling extended dialogues have always been Tarantino’s strong suit; and so it is here. The amusing melodramatics are entertaining and the story keeps your interest despite the one-dimensional setting. Everything’s SO exaggerated that you can’t take it seriously. The movie’s intentionally offensive and you have to roll WITH the excesses to be entertained; otherwise you’ll hate it.

On at least one occasion the overindulgences don’t work, like the disgusting fellatio sequence. I get that Marquis (Jackson) was lying to the other guy to compel him to draw, but we didn't need a visual on his fabricated story. It's sordid excess that has no place in a Western or any other movie, except gay porn, but Tarantino obviously included it in order to be "edgy" or whatever.

The excellent opening with the figure of Christ dying for our sins keys off the theme, which is humanity’s fallen condition and dire need of redemption. The title, “The Hateful Eight,” is a perversion of “The Magnificent Seven.” The latter celebrates the noble and heroic whereas this movie parodies the base and odious. Tarantino is poking fun at our petty hostilities that separate us based on race, gender, sectionalism, faction-ism, envy and rivalry. Furthermore, men divided by hatred of culture and race can unite in hatred of something else, in this case misogyny.

THE FILM RUNS 2 hours, 47 minutes.

GRADE: B

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Mad Max: Fury Road 2015 kostenlos filme anschauen -1080p-ASF

Mad Max: Fury Road 2015 Ganzer Film

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Anrecht	Mad Max: Fury Road 2015
Zeitdauer	183 Notiz
Freilassung	2015-05-13
Eigenschaft	Sonics-DDP 720p Blu-ray
Genre	Action, Adventure, Science Fiction
Programmiersprache	English
castname	Nouvel K. Pescow, Kenda I. Pautrat, Wall L. Huriya

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Fabulous action movie. Lots of interesting characters. They don't make many movies like this. The whole movie from start to finish was entertaining I'm looking forward to seeing it again. I definitely recommend seeing it.
Good action movie with a decent script for the genre. The photography is really good too but, in the end, it is quite repeating itself from beginning to end and the stormy OST is exhausting.
Awesome movie! WITNESS ME will stick with me forever!
Fantastic action that makes up for some plot holes.
Wonderful action movie. Scenes are unimaginable. Lots of graphics used in this movie. This is totally a very good action movie.
I was never a fan of the original Mad Max films but this one just blew me away. There was something so powerfully visceral about this on the big screen. It was a fun on assault on the sense , in a good way. Its spectacle rather than plot driven so may not fare as well on the smaller screen. Watch on the largest possible tv in a darkened room with the phone and other gadgets off. Crank up the volume.
I would say that this movie is pretty much the kind of movie that I expected it to be. That being said I think it was a bit softer than I hoped it to be. I think that, again, the Hollywood plonkers have opted to make a movie that got a more palate rating (to them and their cash registers) than what it should have been. It is not as obvious as with Robocop and a few other movies but the feeling is there.

It is still a fairly entertaining movie. It is of course yet another special effects movie and as such it does not disappoint. It differs from a lot of the usual special effects movies in that the effects are pretty down to Earth in a bizarre way. We are not talking about superheroes or near magical technologies here but instead we have a devastated landscape, scrounged together equipment and a totally ludicrous desire to blow up the last remains of human civilisation. The bizarre vehicle designs and the totally ridicules behaviour of a lot of people in this movie is alone worth watching it to be honest.

As with the previous Mad Max movies this one stretches the bounds of reality (I hope) when it comes to human behaviour and how they waste the few precious resources, specifically gasoline and bullets, that remains after the apocalypse. It provides some spectacular scenery but it also puts a bit of “what the f…” feeling to it all. Not that this part is not expected from a Mad Max movie though.

What I think was my largest let-down in the movie was the Mad Max character itself. To me he is supposed to be a real bad-ass. In this movie he was not really that impressive. He certainly was far from the original Mad Max character in my opinion and was really overshadowed by the Furiosa character. I could have lived with that if this character would have been really impressive but she was not. She was cool but she was still underwhelming when comparing to anything in the original bad-ass Mad Max universe. I would say that Tina Turner and Mel Gibson still rules!

Still it is a decent futuristic, apocalyptic action movie, maybe not living up to this old movie geeks expectations, but not at all a wasted movie evening. The sound track of the Blu-ray certainly gave my subwoofer an exercise as well.

Liste von PkwMarken – Wikipedia ~ Einleitung Erklärung zu den einzelnen Spalten In der Spalte Markenname steht der Markenname Sofern die Marke relevant erscheint ist der Name verlinkt sonst nicht In der Spalte Staat steht der Staat in dem der Hersteller der Marke seinen Firmensitz hat oder hatte Falls der Hersteller aufgrund von staatspolitischen Veränderungen seinen Sitz nacheinander in verschiedenen Staaten hatte

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Captain America: The First Avenger 2011 kostenlos filme anschauen -720p-DTS

Captain America: The First Avenger 2011 Online Stream

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Buchtitel	Captain America: The First Avenger 2011
Zeitdauer	172 Notiz
Befreiung,Entbindung	2011-07-22
Eigenschaft	DTS 1080p HDTS
Genre	Action, Adventure, Science Fiction
Jargon	Français, Norsk, English
castname	Ardis U. Quasim, Alyss Z. Diana, Rhyanna Y. Aphina

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True to "Captain America," this is the modern (comic book) version of the All American movie. Good guys versus bad guys without a lot of ambiguity. _**NOTHING WRONG WITH THAT**_.

This movie is pretty much perfection for the genre. Entertaining A to Z story with high-end Hollywood professional movie making throughout.
**This is a long form review initially published in 2011:**

Though it ran at over two hours, I did feel that it had plenty of room to go further than it did. I honestly felt like Red Skull could have had a film all to himself, and actually kind of suffered for making him as intriguing as he was.

Chris Evans was an interesting choice as the titular role of Captain America, given that he's already played American sweetheart Marvel Super Hero "The Human Torch" in _Fantastic 4_ and _Fantastic 4: Rise of the Silver Surfer_. He didn't Oh-My-Gosh blow me away type-thing or what have you, but he was pretty great.

So far in the Marvel Cinematic Universe, I'd slot Captain America clean in the middle. I liked _Iron Man_ and _Thor_ more, but _Iron Man 2_ and _The Incredible Hulk_ less. Marvel Studios stated that the movie they wanted to make was set in the 40's, even though the rest of Marvel Cinematic is modern-day. This was 100% the right move to make, why? Not because of the setting, aesthetics or direction, but because it's fuckin' smart. How do you have the world appreciate an Uncle-Sam loving upper-middle class white male military blindly-loyal patriot? You make him fight the God damn Nazis, that's how.

It may seem strange, but I actually enjoyed the opening of _Captain America_ the most, which he spends a a meek, asthmatic Steve Rogers, yet to undergo the Deus Ex Machina Super Serum. It really showed the best of Evans acting ability, as well as the writing of Christopher Markus and Stephen McFeely whom together wrote _You Kill Me_ and The _The Chronicles of Narnia_ Trilogy.

I watched it in 3D, which was more bearable than usual. As the films of MCU progress, each of them becomes more and more a prequel to _The Avengers_, _Captain America_ being the most to date. Despite its almost-entire lack of _Avenger_ cameos, this more than previous films felt like a prequel for what's to come, which is not strictly speaking a good thing.

I had plenty of minor issues with _Captain America_, and though their was quite a number of them, all were minor, and ultimately, the only part of me that regrets watching it was the part that keeps thinking "My fucking God, I have to wait a YEAR before _Avengers_ comes out?!"

79%

-Gimly
PLOT

Steve Rogers, a scrawny young man, wants to enlist in the US Army and go overseas to fight in WWII. But his size and health means his attempts at enlistment always end the same way -- a 4F rating. Until a scientist sees him and recruits him to try out for a special training program to create a super soldier.

WHAT I LIKED

The Marvel universe sticks pretty close to classic script with him being given a serum that jacks his body into super muscle mode. He's already brave and smart, so it would seem like a no-brainer to send him overseas? But the guy in charge of his training doesn't want him, he's just one man, so Rogers ends up doing public relations back home. And he is quite shocked that the men overseas don't react as positively when they see him as the crowds back home. I really enjoyed the way they handle the first battle scene for him, basically him figuring things out as he goes, a far cry from his battle-hardened approaches later.

I even liked his interactions with Agent Carter. I had thought it would be more subtle than it was, and I hoped we'd see a bit more of her operating on her own (after all, they gave her character a whole series on TV!), but she was second fiddle to the hero.

WHAT I DIDN'T LIKE

The challenge with a lot of American movies of the war is that it is as if they are the only actors in the war, no allies, just them, and that level of nationalistic narrowmindedness is a bit grating. That may be a small gripe when the show is called CAPTAIN AMERICA, not CAPTAIN OF WORKING WITH ALLIES, but still, it's annoying. I also was disappointed there wasn't a lot more on Red Skull. His history, his abilities, other pursuits, all of it was left basically unreferenced. Sure, some of it shows up elsewhere in the Marvel universe, but a bit more crosswalk would have been nice. I felt he really wasn't that well-fleshed out as the uber villain he could have been.

THE BOTTOM LINE / TWEET

As an origin story, it lacks pizazz
Definitely the most underrated of all the MCU films, Captain America: The First Avenger is a great war film done comic book style about a little guy making a big difference. Red Skull is one of the better villains simply because of how fantastic Hugo Weaving is. Peggy Carter is a great heroine and Hayley Atwell's performance is an absolute joy. Also, Tommy Lee Jones and Stanley Tucci light up the screen whenever they're on.

With strong action scenes, nicely developed characters, and seamless CGI, Captain America: The First Avenger is perfectly fine as a stand alone film. Shameful that so many audiences were just going out of obligation for The Avengers, because this movie has a lot to offer.

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John Wick 2014 kostenlos filme anschauen -1080p-MPEG

John Wick 2014 Online Stream

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Bezeichnung	John Wick 2014
Geltungsdauer	168 Besprechungsprotokoll
Freisprechung	2014-10-22
Eigenschaft	SDDS 720p HDTS
Genre	Action, Thriller
Programmiersprache	Magyar, English, Pусский
castname	Onajite P. Marilyn, Payge G. Jaymi, Gusdorf J. Mercier

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This is very much my kind of movie. Straightforward, lots of good action, our hero never waivers from his path and no social or emotional nonsense. Those who have watched the movie might wonder why I claim that there is not emotional nonsense since the entire plot is driven by John Wick’s very emotional response to his wife’s death and the subsequent killing of the dog that he received as a last present from her. What I mean with “no emotional nonsense” is that John Wick is never second guessing himself, the movie never really tries to portray him as an “ordinary” guy having second thoughts about killing the bad guys and he doesn’t go into some silly “oh should I really pull the trigger” trance and drops the gun in the worst possible moments as is done in a lot of movies. Sure, there are emotions in this movie. Rage and thirst for revenge in particular with the addition of a healthy dose of fear from the bad guys…eventually that is.

The plot of the movie is, as I wrote, quite straightforward and classical. Retired hit man gets wronged by idiot son of big bad guy. Hit man gets pissed off and goes on a quest for revenge. People die (a lot of them). Hit man and big bad guy have a show down at the end. In terms of story that is about it. However, such a story can be told and presented in a good and entertaining way and in a less good and entertaining way. As far as I am concerned the way the story is told in this movie is very, very entertaining.

Keanu Reeves is quite good as the hit man. So are the big bad guy and most of the other actors of any importance. During the course of the movie we get more than a few glimpses into John Wick’s former life and it is a quite cool background that have been elaborated. The secret world that John Wick was once part of and how it works and operates would be worthy a good old-fashioned James Bond movie.

Then of course there is the action. It is an action movie so you do expect quite some expenditure on the action and this movie do not disappoint. There are lots of action and it is good action. Sure, the ease by which John Wick picks off his opponents waiving his gun(s) in all direction without hardly looking is sometimes a bit over the top but it is still done with a fluidness and grace that just makes it … so cool. The gun fights are generally mixed up with some equally good martial arts close combat stuff and it is really well woven together.

One thing that I really like with this movie is that John Wick is the cool, cold, determined, not to be pissed off, killing machine from start to finish. There are really no slow parts or “obligatory” scenes of doubt and self-recrimination. It is “the bad guys will pay” all the way. This of course gives the opportunity to include some other elements that I quite like in a story like this. For instance the parts where the spoiled total idiot son of the big bad guy slowly gets his arrogance replaced by some good, honest to God, fear. Fear of death and fear of the guy he so carelessly pissed off.

Needless to say, I enjoyed this movie a lot when I sat down to watch it with my oldest son yesterday.
I don't get why this movie has such good reviews. It simple and quite uninteresting. Lots of actions and well known faces (many from TV series), but nothing else. The same old brainless plot to justify tons of bullets.
Woof!

Keanu Reeves is the John Wick of the title, a grieving one man army who gets tipped over the edge when gangsters kill his dog. Carnage ensues.

The paying public do like a good revenge flick, there have been plenty this last couple of decades, and they do go down well. Once the set-up has been staged - Wick grieves at the loss of his loved one - gets some small joy via a pet - only to have that snatched away from him, then the film becomes a joyously unstoppable actioner.

Wick, in good hands with a moody and beefy Reeves (face fuzz strange, though) strong in presence, cuts a swathe through the gangland eastern blockers. And that's pretty much it! Characterisations are thin on the ground, it's a bit nutty and of course preposterous, but boy is it fun. There you go, a box office winning actioner without pretensions. Enjoy. 7/10
~NO SPOILERS~

John Wick is an excellent revenge action movie that raises the bar with its excellent lighting, cinematography, and martial arts displays from Keanu.

Mr Wick spends the rest of the film getting even with a mob boss for the actions of his son who killed his dog and stole his car. As far as the plot goes, its pretty simple but there is a lot of depth to the world.

Reeves displays a decent amount of acting range here, but his real talent is bringing bad guys down one headshot at a time. Its glorious to see him smack a guy over the head, hold him down while reloading, and then take him out.

The best thing about this film is the lack of shaky cam-- you can see all the action happening clearly. This is made possible by the dedication of the actors in their martial arts training.

Support films like this, they are a rare breed these days!
**Pure unadulterated action**

John Wick - it's that kind of a character whose name is enough to inflict terror in the minds of people. And whoever isn't terrified doesn't mean that they're better, it just means that they don't know JOHN WICK.

It definitely isn't the first character of it's kind, but very few characters of this kind convince you that they are what they are supposed to be. Let's just say that John Wick kicks a** and he is pretty awesome at that.

I can't think of anyone else to be John Wick other than Keanu Reeves, the guy's living the character on screen. The hand to hand combat, usage of knives and guns, the action, it all seems poetic at times. The thing I loved the most is that there wasn't too much noise, no Boom Boom, just the Bang Bang, exactly what you'd expect from a hit-man.

The cinematography, dialogues, background score, direction, action, everything was just what a movie like this needs. It ticked all the right boxes for me and I think every action movie fan would lap this one up.

It is a great action revenge movie that never runs out of steam throughout it's course. So, everyone who loves to see bullets flying all over the screen, or to quote it better, say hitting just the right spots, go treat yourself to this movie. You'd be glad.

An 8 out of 10

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